Michael MacDonald, "Fog man"

$0.00
NFS

Screen print, 16 x 20, 2021.

SHIPPING IS NOT INCLUDED. PLEASE CONTACT INFO@COLLARWORKS.ORG FOR A SHIPPING ESTIMATE.

BIO

Michael MacDonald is a painter and drawer living in Brooklyn, NY. In 2013 he graduated from the Rhode Island School of Design with a BFA in painting. His paintings and drawings depict minute details that hint to a larger, perhaps more bizarre scene.

STATEMENT

Through compulsively adding figures, shapes and objects to a visual catalogue which that gets re-purposes into moments from a missing narrative. Flattened textures with vibrant color take the hand out of the work just enough so that the viewer has space to interpret and claim a little ownership over the narrative and intent.

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Screen print, 16 x 20, 2021.

SHIPPING IS NOT INCLUDED. PLEASE CONTACT INFO@COLLARWORKS.ORG FOR A SHIPPING ESTIMATE.

BIO

Michael MacDonald is a painter and drawer living in Brooklyn, NY. In 2013 he graduated from the Rhode Island School of Design with a BFA in painting. His paintings and drawings depict minute details that hint to a larger, perhaps more bizarre scene.

STATEMENT

Through compulsively adding figures, shapes and objects to a visual catalogue which that gets re-purposes into moments from a missing narrative. Flattened textures with vibrant color take the hand out of the work just enough so that the viewer has space to interpret and claim a little ownership over the narrative and intent.

Screen print, 16 x 20, 2021.

SHIPPING IS NOT INCLUDED. PLEASE CONTACT INFO@COLLARWORKS.ORG FOR A SHIPPING ESTIMATE.

BIO

Michael MacDonald is a painter and drawer living in Brooklyn, NY. In 2013 he graduated from the Rhode Island School of Design with a BFA in painting. His paintings and drawings depict minute details that hint to a larger, perhaps more bizarre scene.

STATEMENT

Through compulsively adding figures, shapes and objects to a visual catalogue which that gets re-purposes into moments from a missing narrative. Flattened textures with vibrant color take the hand out of the work just enough so that the viewer has space to interpret and claim a little ownership over the narrative and intent.