Leo Marz - ;^) [ (acrylic and dry toner on canvas, 80 x 80 cm, 2019)
The origin of his ideas is abstract. A savage and chaotic stream that he accesses through artifacts, narratives, music and cultural products with apparent connections between them. The choice of the themes he boards is only a pretext to surrender himself to the flux of discontinuities that exist in the distance between great discussions about subjects of our time and all that we experiment in our daily lives but cannot manage to define with words. His actions become visible through spacial montages that bring objects and subjects together, trying to tell stories.
The origin of his ideas is abstract. A savage and chaotic stream that he accesses through artifacts, narratives, music and cultural products with apparent connections between them. The choice of the themes he boards is only a pretext to surrender himself to the flux of discontinuities that exist in the distance between great discussions about subjects of our time and all that we experiment in our daily lives but cannot manage to define with words. His actions become visible through spacial montages that bring objects and subjects together, trying to tell stories.
The origin of his ideas is abstract. A savage and chaotic stream that he accesses through artifacts, narratives, music and cultural products with apparent connections between them. The choice of the themes he boards is only a pretext to surrender himself to the flux of discontinuities that exist in the distance between great discussions about subjects of our time and all that we experiment in our daily lives but cannot manage to define with words. His actions become visible through spacial montages that bring objects and subjects together, trying to tell stories.