Out of Office
Curated by Angelik Vizcarrondo-Laboy
October 29, 2021 - January 30, 2022
Reception: Friday, October 29, 5-8 PM
Participating Artists:
Robin Adsit, Nina Bellucci, Natasha Brennan, Raina Briggs, Virginia Broersma, Gal Cohen, Carrie Curely-Lue, Stella Ebner, Ashley Estabrook, Kay Leigh Farley, Morgan Rose Free, Echo Goff, Wenda Habenicht, Padyn Humble, Liz Jones, Lydia Kern, Chad Kouri, Graham Krenz, dani lopez, Christina Massey, Xinan Ran, Morgane Richer La Fleche, Jezabeth Roca Gonzalez, Julia Rooney, Phoebe Rotter, Melissa Sclafani, Lydia See, Grace Stott, Sarah Sudhoff, Kim Tateo, Julia Terry, Kelsey Tynik, Katharine Umsted, Anna Wehrwein, Corrine Yonce, Dana Wood Zinsser, Jackie Zysk
The circumstances of the past year and a half required the world to slow down. In a capitalist society, the shift in pace caused much anxiety and hardship, despite allowing a momentary collective breather. Leisure, defined as “freedom provided by the cessation of activities,” has historically been a luxury reserved for the upper echelons of society, from aristocrats to the rich and famous. Without proper boundaries in place, working from home busted the myth of work-life balance by tipping the scales further towards work.
The “grind culture,” which conflates productivity with self-worth, conditions us to understand leisure as a hard-earned and rare reward. However, more and more cultural thinkers and organizations are working to dismantle the inherently problematic work culture in the United States by underscoring the importance of regular leisure and self-care. Besides their health benefits, centralizing joy, pleasure, and healing is a tool of resistance and protest against oppressive systems, especially for people of color and other marginalized communities. How can intentional and normalized hedonism help upend the work-life balance heavily dictated by the intersection of race, class, and gender?
Historically, art is intertwined with leisure. The reclining nude, for example, one of art’s most popular tropes, is inherently leisurely. How are contemporary artists recontextualizing the genre? What other activities, subjects, and materials embody the pursuit of happiness, play, pleasure, and rest in art? How can leisure improve our relationship with ourselves, those close to us, and with our communities? What are the subtle and intimate ways in which we prioritize living—loving, dancing, sleeping, exercising, eating, healing, and other leisurely actions—over working?
Virtual Tour
Meet the Curator
Angelik Vizcarrondo-Laboy (she/her) is a New York and Los Angeles-based curator, writer, and arts administrator of contemporary art and craft. Her current research focuses on the subversive power of humor, cuteness, and leisure as tools of protest. Amplifying the voices of BIPOC artists is central to her practice. She serves as Assistant Curator at the Museum of Arts and Design (MAD), NY. She has helped the curatorial team organize over twenty exhibitions since 2016, including 2021’s Craft Front & Center. She also oversees MAD’s Burke Prize, a prestigious contemporary craft award. Recent projects include exhibitions Sleight of Hand (2020) at the Center for Craft, NC, where she was a 2020 curatorial fellow, and Clay Is Just Thick Paint (2020) at Greenwich House Pottery, NY. She has also contributed to Cultured and American Craft magazines and catalogs at MAD and the Bemis Center for Contemporary Arts, NE. She holds an MA from the Bard Graduate Center, NY, in Decorative Arts, Design History, & Material Culture.